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From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Yönetmeni Fehmi space Öztürk olmuştur.

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From its establishment in 1936, Izmir Culture Park (ICP) became a historical marker of Turkish modernity, with its leisure and entertainment spaces celebrating modern values and conditions, while functioning as a medium for adapting them. Casinos, entertainment spaces with live music and food service, were a significant component of the park’s entertainment life from the very beginning. They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. This study builds on existing histories of ICP by investigating and introducing new layers of meaning on women’s spatiality. It contributes to gender studies by analyzing how matinees encouraged women to participate in leisure activities, how women experienced this public space, and how they transformed it through their practices in living out their modernity. Women transformed space casino the abstract space of ICP casinos into lived space. By pushing the 1970s social boundaries in Turkey, women both used and transformed the spaces of ICP as they took the opportunity to enjoy their freedom, albeit within the limited space of the casino and the limited time of the matinee. Betist Oyna.

Bölüm 4 9 Nisan 2018 6.77 3. 5.20 6. 6.25 Bölüm 5 16 Nisan 2018 6.04 4. 5.60 4. 5.86 Bölüm 6 23 Nisan 2018 5.52 5.21 5. 5.58 Bölüm 7 30 Nisan 2018 5.21 4.07 6. 4.50 Bölüm 8 7 Mayıs 2018 6.19 5. 5.78 4. 6.00 Bölüm 9 14 Mayıs 2018 6.00 3. 6.06 2. 5.89 4. Bölüm 10 21 Mayıs 2018 5.80 4. 6.70 6.12 3. Betine online oyna.They diverged from their earlier cultural forms and aesthetics during the 1970s in response to the demands in the entertainment sector and the accompanying spatial needs, as well as women’s changing social position in the 1970s. Charting this divergence, and tracing how it came about, this study examines the ways in which ICP’s changing entertainment culture led the way in producing an alternative space -the matinee- for women. 14.09.2021 Salı space günü bülteninde seçtiğimiz kasa katlama kuponunu sizlerle paylaşıyoruz. Star TV ve yapım şirketi space basında yer alan bu iddiaya yanıt vermemişti.
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